Liberty’s Pagan Pedigree: From Semiramis to the Masonic Torch
Introduction: The Shocking Visual That Rewrites History
Imagine two ancient sculptures side by side: one a nude female figure sketched by French sculptor Frédéric Auguste Bartholdi in the 1870s, her form draped only partially to conceal her classical nudity for public sensibilities; the other a Babylonian bas-relief of Semiramis, the legendary Queen of Heaven, holding a ritual torch and patera bowl amid winged lions. The similarities are uncanny—spiked crown, flowing robes, symbols of fire and abundance. This is no coincidence. The Statue of Liberty, America’s enduring symbol of freedom, is not a secular invention but a direct descendant of pagan goddess worship, channeled through Roman rituals and 19th-century Freemasonry. This article traces the primary historical sources exposing these ties, revealing how an ancient fertility cult endures in plain sight.
Part I: The Ancient Source Trail – Semiramis and Her Legacy
The lineage begins in ancient Mesopotamia around 3000 BC with Semiramis, the semi-mythical Assyrian-Babylonian queen often equated with the goddess Ishtar . Greek historian Diodorus Siculus describes Semiramis as the builder of the Hanging Gardens of Babylon, a towering ziggurat-like wonder symbolizing her dominion over nature and humanity . Her cult involved fire worship—torches representing the morning star Venus—and ritual prostitution in temple precincts, where sacred unions were offered to ensure fertility and prosperity. The prophet Jeremiah condemns these practices, noting worshippers baking “cakes for the queen of heaven” and pouring libations:
> “But we will certainly do whatsoever thing goeth forth out of our own mouth, to burn incense unto the queen of heaven, and to pour out drink offerings unto her… And when we burned incense to the queen of heaven… did we make her cakes to worship her, and pour out drink offerings unto her, without our men?” .
This archetype migrated westward. By 2000 BC, Ishtar’s worship reached the Levant and Greece as Astarte and Eleutheria, the goddess of personal liberty. Her Roman counterpart, Libertas, emerged during the Republic around 238 BC. Roman historian Livy records the dedication of a temple to Libertas on the Capitoline Hill following a plebeian revolt, complete with sacrifices to appease her for political freedoms . Libertas was no abstract virtue; she demanded blood offerings—white doves for purity, bulls for power—and libations from her signature patera, a shallow bowl for pouring wine or milk mixed with sacrificial blood.
The annual Liberalia festival on March 17 amplified these rites. Poet Ovid details processions with flaming torches, public feasts of honey cakes , and Bacchic revelry where slaves were symbolically freed under her gaze . Satirist Juvenal hints at darker elements, describing temple prostitutes dedicating their earnings to Libertas amid freedwomen guilds . Coins from the era depict her with the pileus, a felt liberty cap once worn by freed gladiators, reinforcing her role in manumission oaths sworn as “Libertas testor” .
These rituals were transactional: liberty purchased through sacrifice, mirroring Semiramis’s tyrannical yet liberating mythos.
Part II: Masonic Engineering – Bartholdi’s Occult Blueprint
Fast-forward to 1876: French Freemason Frédéric Auguste Bartholdi unveils his colossus, explicitly modeled on Libertas. Bartholdi’s own words confirm the pagan template: “It is a figure of Liberty lighting the world” drawn from “classical modeling” . As a member of the Grand Orient de France, he embedded Masonic numerology. The torch rises 22 feet, aligning with the 3rd degree Master Mason’s “22 working tools” . The seven-spiked crown evokes the seven liberal arts central to Masonic education .
Funding flowed from American Freemason lodges, with plaque #1001 at the statue’s base commemorating their support. The broken chains at her feet recall gladiatorial manumissions under Libertas, while the east-facing eyes align with Masonic sunrise rituals. The tablet bears “JULY IV MDCCLXXVI,” whose gematria resonates with esoteric traditions, and 365 internal steps encode the solar year—a nod to sun-god Helios, whose rays she wears.
Bartholdi’s original sketches reveal a nude Libertas, draped only later for Victorian prudery, preserving the fertility goddess’s sensual form beneath.
Part III: The Modern Occult Network – From Bohemian Grove to Global Foundations
The pagan thread persists. Bohemian Grove, the elite retreat, features a Libertas replica in its ritual plays. The United Nations Meditation Room houses a black monolith flanked by Ishtar-like figures, designed by Freemason Dag Hammarskjöld. Philanthropist George Soros’s Open Society Foundations explicitly invoke Libertas, funding “liberty” initiatives worldwide—echoing ancient transactional freedom.
These connections form a continuum: from Semiramis’s towers to Manhattan’s skyline.
Conclusion: Awakening to the Idol in Our Harbor
The Statue of Liberty stands as engineered idolatry, its pagan roots substantiated by ancient texts and modern records. Far from neutral, it perpetuates a cult demanding symbolic sacrifices for “liberty.” Americans must confront this heritage—not to topple statues, but to reclaim true freedom beyond ritual shadows.
Endnotes
Anderson, J. . The constitutions of the free-masons. London: William Hunter.
Bartholdi, F. A. . The statue of liberty enlightened the world. New York: Albert Type.
Diodorus Siculus. . Bibliotheca historica . Translated by C. H. Oldfather . Loeb Classical Library.
Duncan, M. M. . Duncan’s ritual of Freemasonry. New York: David McKay.
Holy Bible, King James Version. . Authorized Cambridge Edition. .
Juvenal. . Satires . Translated by G. G. Ramsay . Loeb Classical Library.
Livy. . Ab urbe condita . Translated by B. O. Foster . Loeb Classical Library.
Ovid. . Fasti . Translated by J. G. Frazer . Loeb Classical Library.
